Panya Clark Espinal

Toronto: Scene and Unseen, 2011, view from ‘projection’ point

Toronto: Scene and Unseen, 2011, view from ‘projection’ point

Toronto: Scene and Unseen, 2011, view to right of ‘projection’ point

Toronto: Scene and Unseen, 2011, view to right of ‘projection’ point

Toronto: Scene and Unseen, 2011, view from corner to east of site

Toronto: Scene and Unseen, 2011, view from corner to east of site

Toronto: Scene and Unseen, 2011, view from sidewalk in front of site

Toronto: Scene and Unseen, 2011, view from sidewalk in front of site

Toronto: Scene and Unseen, 2011, view adjacent to site on terrace

Toronto: Scene and Unseen, 2011, view adjacent to site on terrace

Toronto: Scene and Unseen, 2011, view within site

Toronto: Scene and Unseen, 2011, view within site

Toronto: Scene and Unseen, 2011

Public Art Proposal in collaboration
with Nathanael Gray Architect

wooden utility poles, aluminum, reflective road sign material

Toronto: Scene and Unseen proposed the use of 44 wooden utility poles wrapped with industrial reflective signage material to construct a playful and interactive marker for the Toronto/Markham border. Working with components of city infrastructure that are so ubiquitous that they are almost unseen, this work endeavoured to reinvent our relationship to them, elevating their status in our midst.

When viewed from a small area of proximity to the sculpture at the northwest corner of the intersection, an image of a standard blue and white highway sign reading “T.O.” would be clearly identified on the poles. From anywhere else on the site, however, the poles would appear entirely abstract. Reflecting on conditions of distance and immersion, Toronto; Scene and Unseen spoke to the complexities of identity and the interconnectedness of subject and object.

I see from only one point but in my existence I am seen from all sides. Maurice Merleau-Ponty